Jason Bellamy and I have now posted part II of our conversation about Darren Aronofsky. In part I, from a couple of weeks ago, we talked about Aronofsky's first four films, and now we've turned our attention to his fifth and latest, Black Swan. We talk about the film's psychosexual underpinnings, its lurid aesthetics, its genre references, its links to the films of Powell and Pressburger and others, and its ideas about female sexuality and identity. We hope you'll join us in discussing this very provocative film. We have a feeling that lots of people have strong opinions about Aronofsky in general and this film in particular, so please let us know what you think in the comments section at the House Next Door.
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