William Lubtchansky, 1937-2010

The great cinematographer William Lubtchansky has passed away at the age of 72. He has had a long and fertile career working with Godard, Rivette, Straub/Huillet, Garrel, Varda, Otar Iosseliani, and countless others. In particular, Lubtchansky worked on multiple films for Godard and Rivette, including some of the former's most radical, adventurous work. Lubtchansky was the cinematographer for many of Godard's late 70s forays into video, and for the elegant 1990 masterpiece Nouvelle vague. He collaborated with Rivette over the course of several decades, shooting many of the great director's most enduring works, including almost all the films Rivette has made in recent years.

Below is a small tribute to some of the images left behind by this remarkable cinematographer, all from his work with Godard and Rivette, the two directors most closely associated (in my mind, anyway) with this genius behind the camera. Admire, especially, the muted but somehow eerily beautiful quality of light in these images, which are never flashy or glossy but always striking in more subtle ways.

Numéro deux (Godard, 1975)

Duelle (Rivette, 1976)

Noroît (Rivette, 1976)

Ici et ailleurs (Godard, 1976)

Comment ça va? (Godard, 1978)

Sauve qui peut (la vie) (Godard, 1980)

Le Pont du Nord (Rivette, 1981)

Merry-Go-Round (Rivette, 1981)

Love on the Ground (Rivette, 1984)

Nouvelle vague (Godard, 1990)

La belle noiseuse (Rivette, 1991)

Joan the Maid I: The Battles (Rivette, 1994)

Secret défense (Rivette, 1998)

The History of Marie and Julien (Rivette, 2003)

Don't Touch the Axe (Rivette, 2007)