The Conversations #23: True Grit

The latest installment of The Conversations has now been posted at The House Next Door. This time around, Jason Bellamy and I discuss the Coen brothers' new adaptation of Charles Portis' True Grit, and compare their take on the material to Henry Hathaway's

Update.....

I know I haven't posted much in the past year (and I have been chastised repeatedly for it), and though I keep promising to come back for real, I really haven't.I always think of things I want to post, almost daily, but I just haven't seemed to be able

The Town

Ben Affleck really likes Michael Mann's Heat. Like, really, really loves it. Like, it's his favorite movie ever. How do I know this? Because Affleck's second directorial feature, The Town, follows the template of Heat so closely, is so deeply indebted

Films I Love #50: Cat's Cradle (Stan Brakhage, 1959)

Stan Brakhage's prolific and esoteric career as an avant-garde filmmaker is so packed with masterful works of art that it's difficult to pick a single film to represent him. The six-minute Cat's Cradle is only one of his great shorts, but it is perhaps

My Take On The Busters *cough* Oscars...

OK, after months of speculation, the Oscar nominees have arrived. How many of you were satisfied with the lists?I, for one, have stopped taking the Oscars seriously years ago; it is such an elitist and "inside" group, and we all should know by now that

Wind From the East

Wind From the East is a product of Jean-Luc Godard's involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas

I, An Actress

I, An Actress is a short film made as a kind of screen test for one of filmmaker George Kuchar's acting students during a filmmaking workshop. The student, Barbara Lapsley, is given a page from a ludicrously melodramatic script, set opposite a dummy

Diabel

Andrzej Zulawski's Diabel (The Devil) is a messy, baroque, jagged film, all sloppily chopped up and ragged, dripping in blood and grime. It is unrepentantly, unceasingly ugly and vile, wallowing in the filth and degradation of a world in which morality

Uncle Boonmee Who Can Recall His Past Lives

Apichatpong Weerasethakul's latest feature, Uncle Boonmee Who Can Recall His Past Lives, is a ghost story told with the calm and patience of a prosaic tale of country living. The film concerns the final days of the titular protagonist, Boonmee (Thanapat

My 2010 In Culture, Part II: Music

Following up on my list celebrating my film-viewing in 2010, here is my music list for the year. Unlike with the film list, I actually did listen to enough new music this year that I feel I can provide a list of my favorites from among the 2010 releases